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Your search for 'Contemporary Music' in subject and Public in rights found 3 book(s).
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Title: The early works of Arnold Schoenberg, 1893-1908 online access is available to everyone
Author: Frisch, Walter
Published: University of California Press,  1997
Subjects: Music | Composers | Contemporary  Music | Musicology
Publisher's Description: Here is the first full-scale account of Schoenberg's early tonal works, a rich repertory that music historians have tended to neglect or view as transitional to a mature atonal style.Between 1893 and 1908, Schoenberg created many genuine masterworks in the genres of Lieder, chamber music, and symphonic music. This book includes detailed critical analyses of such widely admired and performed compositions as Verklärte Nacht , Gurrelieder , and the First Chamber Symphony, as well as discussions of little-known but important songs and instrumental works from the earlier years.Drawing on original manuscript sources, on Schoenberg's musical environment, on a range of analytical methods, and on Schoenberg's own theories, Frisch traces the development of technique and aesthetic across this critical fifteen-year period of the composer's career.   [brief]
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Title: Reflections of an American composer online access is available to everyone
Author: Berger, Arthur 1912-
Published: University of California Press,  2002
Subjects: Music | American Music | Classical Music | Contemporary  Music | Composers | Musicology
Publisher's Description: In this engrossing collection of essays, distinguished composer, theorist, journalist, and educator Arthur Berger invites us into the vibrant and ever-changing American music scene that has been his home for most of the twentieth century. Witty, urbane, and always entertaining, Berger describes the music scene in New York and Boston since the 1930s, discussing the heady days when he was a member of a tight-knit circle of avant-garde young composers mentored by Aaron Copland as well as his participation in a group at Harvard University dedicated to Stravinsky. As Virgil Thomson's associate on the New York Herald Tribune and founding editor of the prestigious Perspectives of New Music, Berger became one of the preeminent observers and critics of American music. His reflections on the role of music in contemporary life, his journalism career, and how changes in academia influence the composition and teaching of music offer a unique perspective informed by Berger's abundant intelligence and experience.   [brief]
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Title: Refried Elvis: the rise of the Mexican counterculture online access is available to everyone
Author: Zolov, Eric
Published: University of California Press,  1999
Subjects: History | Latin American History | Popular Culture | Chicano Studies | Latin American Studies | Contemporary  Music
Publisher's Description: This powerful study shows how America's biggest export, rock and roll, became a major influence in Mexican politics, society, and culture. From the arrival of Elvis in Mexico during the 1950s to the emergence of a full-blown counterculture movement by the late 1960s, Eric Zolov uses rock and roll to illuminate Mexican history through these charged decades and into the 1970s. This fascinating narrative traces the rechanneling of youth energies away from political protest in the wake of the 1968 student movement and into counterculture rebellion, known as La Onda (The Wave). Refried Elvis accounts for the events of 1968 and their aftermath by revealing a mounting crisis of patriarchal values, linked both to the experience of modernization during the 1950s and 1960s and to the limits of cultural nationalism as promoted by a one-party state.Through an engrossing analysis of music and film, as well as fanzines, newspapers, government documents, company reports, and numerous interviews, Zolov shows how rock music culture became a volatile commodity force, whose production and consumption strategies were shaped by intellectuals, state agencies, transnational and local capital, musicians, and fans alike. More than a history of Mexican rock and roll, Zolov's study demonstrates the politicized nature of culture under authoritarianism, and offers a nuanced discussion of the effects of cultural imperialism that deepens our understanding of gender relations, social hierarchies, and the very meanings of national identity in a transnational era.   [brief]
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